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LOVE IS MY FORM– A Biographical Series On Sri Sathya Sai Baba

– Volume One, The Advent (1926–1950) by R. Padmanaban

Ratnakaram Sathyanarayana Raju – Chapter 2

LITLE SATHYANARAYANA BECAME THE DARLING of the entire village. Pedda Venkama Raju's house was always full of visitors who came on some pretext, but stayed on to sing lullabies to Sathyanarayana, rock his cradle and shower him with caresses-forgetting their humdrum lives.

Subbamma, the first wife of the village Karnam, Lakshminarayana Rao, had a special affection for Sathya. She was elderly and childless. Hoping for heirs, the Karnam took a second wife, Kamalamma. The homes of the Rajus and the Karnam were two houses away. The Karnam was of the Brahmin caste, to which, as custom dictated, people of all other castes made ceremonial obeisance. As Karnam, he was the hereditary village accountant in charge of land records and the collection of land tax on behalf of the Government. The pious lady, Subbamma, would be known to the world as Sathya's 'foster' mother. Long before Sathya's birth “Easwaramma and Subbamma had agreed: if either one of them had a male child, he would be named Sathyanarayana. Subbamma never had a child. A son was born to Easwaramma, however, and she named him Sathyanarayana.”

When Sathya was an infant, Subbamma would pick him up and hug him to her bosom. As the Karnam's family ate only vegetarian food, Subbamma would call Sathya to her kitchen and feed him lovingly, much to the dislike of those who did not like a Kshatriya (warrior caste) boy being fed in a Brahmin family. “This is a Brahmin child!” other women would say, both in wonder and fun, witnessing the enthusiasm with which Sathya would go to Subbamma.

Subbamma would sometimes gather all the toddlers on her open terrace, in the evening. She would mix all the usual dishes of the evening meal and then lovingly feed morsels from·the great mix to all of them, including Sathya. She would say,

“This one morsel is for the cow, this one more morsel is for the crow...” and so on, as many Indian mothers do when they feed their children, coaxing them to eat an extra mouthful.

There were other times when Subbamma would call Sathya to the terrace and secretly feed him with savouries like pakodas, from her window-which overlooked the terrace of the Raju house. During one such 'secret' feeding, as she asked Sathya to open his mouth to pour water into it, Subbamma saw the magnificent spectacle of the entire creation: great celestial bodies revolving on their cosmic course, all amazingly contained inside the little mouth. Subbamma had a fright and was lost in a state of ecstasy for days on end. This was the first time she had a glimpse of this extraordinary side of Sathya and she clung to little Sathya's feet and washed them with her tears.

Sathyanarayana, or Sathya, as he was now fondly called, sometimes gazed at the big kumkum mark on the forehead of his mother. He would often touch the red mark and smile, but it was never disturbed. He delighted in having broad vibhuti (holy ash) markings with a kumkum dot in the centre of his own forehead, though his mother rarely agreed to this application of the kumkum, for fear of the 'evil eye.' Therefore, Sathya had to seek out his sisters' belongings and apply a dab of kumkum himself.

At the time he started eating solid food, he had a natural aversion for non­vegetarian dishes. Invariably, he would later repair to his grandfather, Kondama Raju, and eat with him. The aged grandparents took great pride in feeding their saintly little grandson. The neighbors called him 'Brahmajnani’ because of his aversion to violence and love towards all creation. When the village urchins would carry a hen hanging upside down or kick a dog in Sathya's presence, Sathya would feel miserable. Yet, he would never complain to anyone about it. He avoided places of animal slaughter and fishing yards. When a bird was selected as a future meal, “...Sathyanarayana the little boy, would run towards it...clasp it to [his] ... bosom and fondle it as if the extra love [he] ... poured on it would induce the elders to relent and spare the fowl.”

His heart would melt at human suffering, too. Whenever a beggar appeared at the door and raised his cry, Sathya would stop his play and rush in, to cajole his sisters to give the beggar some food. The adults were not willing to put up with this endless kindness to beggars. Sometimes Easwaramma would catch hold of him and with a finger raised in warning, say, “’Look here! You may give him food; but, mind you, you will have to starve.’ That would not daunt the child; he used to run inside and bring out food to the hungry man at the door; [and, then]... stay away from [his meal], ... himself. Nothing and nobody could persuade him to come to his plate, which was left untouched!” Even as a toddler, when he heard a beggar cry, he would crawl to the main entrance of the Raju's house and look imploringly at the elders, his eyes beseeching them to feed the hungry person.

In addition, when Sathya refused food and persisted in the refusal for days, he showed no signs of starvation. He would insist that an old man had fed him sumptuously with balls of milk-rice. He patted his stomach contentedly, to show that it was full. As a proof, he held out his right hand for his mother to smell, and she inhaled from the tiny palm the unmistakable fragrance of ghee, milk and curds, of a type unknown to her. The mystery of the 'old man' was never solved.

“When Sathya began running about in the street, he sought out the maimed, the blind, the decrepit and the diseased, and led them by the hand to the doorstep of the ... [parents' home.] ... [His] ... sisters had to [retrieve] from the store or the kitchen some grain or [other] food and put it into the beggar's bowl while 'the little master' looked on, gladly.”

At the age of three, Sathya's head was shaved and his ears pierced, a practice called for by custom. When his hair grew into silken curls as before, Sathya would keep them impeccably combed, like other boys of his age. The beautiful curls remained but grew even longer-as seen in his later years.

Sathya was held up as an ideal example before the children; soon they started calling him Guru. The elders found this out on a Ramanavami festival. Late at night, Sathya's sisters discovered that their little brother was not at home, and a search was launched. It was past midnight and the family feared for Sathya's safety. A procession was wending its way along the village, with the invigorating music of the pipers and drummers in a pageant rousing the sleeping villagers. It stopped just outside the Raju family's doorstep.

A huge picture of Sri Rama was displayed on a flower-bedecked bullock cart, with a priest seated next to it, waving camphor flames in worship. To their disbelief, the ladies of the house saw five-year old Sathya, brightly dressed, sitting in simple majesty under the decorated picture. The Raju family asked Sathya's companions why he was seated there and not walking with them on the road. "He is our Guru," promptly came the reply.

Sathya had been introduced to the alphabet in the ritual manner. P. T. Krishnamachari, one of the few educated men of the village, living opposite to Pedda Venkama Raju's house, performed the Akshara abhyaasa (initiation into the use of the alphabet) ceremony for him. Sathya's parents decided that he should be formally educated. He was sent to the Government-aided Elementary School in the village.

Venkatasubba Raju and Venkatarama Raju, sons of Kondama Raju’s brother Subba Raju, taught at the school. Sathya’s schoolmate, Talipineni Kesappa, would remember in later years that Sathya had the unique ability to sing and dance with great proficiency, even at the elementary school.

Karnam Subbamma

Karnam Subbamma (?-1950)

The Government–aided Elementary School, Puttaparthi

The Government–aided Elementary School, Puttaparthi in its new building

Angadimiththey – a grocery shop run by Pedda Venkama Raju

Angadimiththey – a grocery shop run by Pedda Venkama Raju to provide for his family

Three of Sathya’s uncles who taught at the school
R. Venkatasubba Raju

R. Venkatasubba Raju

Kondama Rama Raju

Kondama Rama Raju

Venkatarama Raju

Venkatarama Raju

Talipineni Kesappa Sathyas schoolmate

Talipineni Kesappa Sathya’s schoolmate

At the request of Karnam Lakshminarayana, Kodanda Rama Raju, a teacher at Bukkapatnam privately taught Lakshminarayana's adopted son, Gopal Rao, Sathya and a few others.

Decades later, Sathya as 'Sai Baba' would reveal in his talks how he helped some of his classmates learn the alphabet: “In those days, there were no slates or books. We used to write on the sand with our fingers.”

Sathya never hesitated to assist his family in household chores. He would help his sister Venkamma cook and go shopping for his father, returning with four donkey-loads of provisions. He would explain the details of his purchases and give his father the change-correct to the last coin. Impressed by the child's ability, Pedda Venkama Raju would observe, "Look, how sincere and honest Sathya is and how smart at bargaining!" Sometimes Sathya was even called Aadamati Sathyakka (Sathya, the elder sister), as he would help his parents in cleaning the house; fetching water from the well and doing other chores that were considered girls' work in those days.

But his help was needed while the parents eked out a livelihood by various means. Pedda Venkama Raju ran a grocery shop, an Angadimiththry. Easwaramma and he would carry food grains on donkeys to sell them at the Bukkapatnam weekly market. He also worked as a liaison between the field hands and the Karnam for a small commission.

Karnam Lakshminarayana Rao the village chieftain of Puttaparthi

Karnam Lakshminarayana Rao the village chieftain of Puttaparthi

At Sathya's school, there was an interesting scheme of punishment to ensure punctuality. Whoever arrived late, irrespective of the reason, would get a taste of the cane. Those who came in first and greeted the teacher were privileged to execute the punishment. The number of cuts received depended on one's number on the list of latecomers; the later one arrived, the more cuts one received. During cold and damp mornings, the children would gather quite early, under the eaves of the schoolhouse to escape punishment. Sathya would sympathise with his fellow students' plight by bringing stray pieces of clothing from his house to help make the boys comfortable. ‘The elders at home discovered this and since they could do nothing else, they locked inside their boxes all the clothes they could not afford to lose.’ It was very difficult for the family to comprehend Sathya as a little boy.

At school, Sathya's remarkable musical talent started to blossom. He had a melodious voice and would induce his friends to join him in singing simple, devotional songs called 'bhajans'. The Karnam's family asked the boys to sing the bhajans in front of their house, offering a bag-full of ‘puffed’ rice at the end of the session. Sathya was so small that he could not even be seen properly within the group; however, he was the most active bhajan 'performer,' jumping and dancing enthusiastically while singing. This talent led to reorganising and leading the 'Pandari Bhajans' group-which in years to come, would lead to the establishment of bhajan singing in Sri Sathya Sai Organisations throughout the world.

Sathya's group consisted of about fifteen to twenty boys of his age. Carrying flags in their hands and wearing bell-anklets, they used to go around the village, covering the most important meeting places, like Kotha Bhavi, Janda Vepa Manu and Ramaswamy Temple. They moved around the nearby villages, as well. When the 'Pandari Bhajan' group visited a village, people cleaned their houses properly, welcomed the group and fed them. The villagers believed that because of the influence of these Pandari Bhajans, the dreadful epidemic of cholera, which had been playing havoc in the neighbourhood, never touched Puttaparthi. Sathya, along with Subba Raju, trained the villagers of Locherla to perform Pandari Bhajans. Kamalamma remembers that, during the Pandari Bhajan period, Sathya would beg Subbamma for oil to light the lamps. As soon as she gave it, Sathya would run and start the bhajan. During Pandari Bhajans, he used to jump up and down, while dancing. Once, there was a Pandari Bhajan 'competition' between the Harijans and other groups, near Janda Vepa Manu. The next day, Sathya visited Jonalla Narasappa's house, in the Harijan slum, and said that they had performed the bhajan very well. Even in those days, Sathya never treated Harijans separately. Many times he visited the slum, without the elders' knowledge.

But his father was annoyed to see Sathya encouraged by the Karnam. One day, after the bhajan session, the Karnam gave the boys a few mangoes. Pedda Venkama Raju, who was sitting on the verandah of his own house, retired indoors and expressed his displeasure, thinking that the Karnam was pampering the boy.

The relation between Sathya and his grandfather, Kondama Raju, soon became more intimate. The nonagenarian grandfather found the company of his remarkable grandchild very enjoyable, and he was the first to realise Sathya's divine nature. Years later, Sathya was to say that his father and uncles had asked his grandfather Kondama Raju, “stay three months a year with each of us.” This offer was made as part of a proposed distribution of property between the four brothers and Kondama Raju, who declined to take a share, saying that he wanted nothing except Sathya as his share. If Sathya was with him, he had everything he wanted. From then on Sathya stayed with his grandfather, who lived until a ripe old age. Sathya would later say about him, "He was a great devotee, and he recognised my reality."

In a touching narration, Sathya would one day relate what Kondama Raju requested of him, ‘I was then nine years old...

I was inside [his house] cooking for him. I am a good cook. Others would want to take recipes from me. He came to me after closing the door. Calling out, “Sathya! Sathya”, he caught hold of both my hands. “Consider these your feet”, he softly continued, “I have a desire. At the time of my death, you should pour water into my mouth.” I gave my word I would.’ In the years to come, the world would witness that Sathya did keep his word.

Pandari Bhajans

Pandaripur, in the state of Maharashtra, is the abode of Lord Vittala and his consort, Rukmini. The worship of Vithoba, another name for Lord Vittala, encourages people from different religions, castes, creeds and gender to join together in singing his praise.

At Puttaparthi, the Karnam and Subbamma encouraged the singing of Pandari Bhajans. It is held that the childless Karnam had made a pilgrimage to Pandaripur. On his return, the Karnam desired that some bhajans, suitable to the worship of the Lord of Pandaripur, be sung. Sathya himself volunteered to compose the songs and to teach his group of friends to sing them. He was ten years old, at the time.

Thunga Gangappa told the author that earlier Venkataiah, an itinerant cloth vendor from Badvel Taluk, in Cuddapah District taught Pandari Bhajans to the people of Puttaparthi. The elders asked him to teach them to the children. Accordingly, a group of children, including Sathya and Subba Raju, learnt Pandari Bhajans from Venkataiah and they, in turn, trained other children. The bhajans, conducted late in the evenings, was the only entertainment for the villagers.

M. N. Rao writes, in his book Sri Sathya Sai Baba - A Story of God as Man, that the boys would even ... collect a monthly voluntary subscription of one anna-1/16th of a rupee-for the upkeep of the group and bhajan expenses.

Krishnama Raju was one of the members of the group, as was Gopal Rao, the Karnam's son. The Karnam, pleased with the bhajan singing would gift fruits to the singing boys, much to the chagrin of Pedda Venkama Raju, Sathya's father. Krishnama Raju, Sathya's cousin, told the author:

“About twenty of us joined the Pandari Bhajans. We used to soak our clothes (shirt, knickers, a towel and a scarf) in a mixture of water, turmeric powder and lime to get the fabric dyed light orange (the colour of a renunciate's attire). We wore a scarf, with its edges stitched with red cloth, around the neck; a towel around the waist and another small towel around the head. Some carried a flag on a stick, some chakkas (little wooden clap sticks), a harmonium and a drum. We wore garlands and bell-anklets.”

“Our group performed bhajans in the neighbouring villages ofKarnatanagapalli, Koilguttapalli, Kammavaripalli, Brahmanapalli and Locherla. We would place a photo of Lord Panduranga of Pandaripur in a prominent place in the village and walk on knees, singing the glory of Panduranga. If we did not perform properly-follow the music, for instance-Sathya would hit us. Participating in a Pandari Bhajan session was not easy.”

Sathya Sai leading Pandari bhajans

Sathya leading Pandari bhajans through the street of Puttaparthi

Puttaparthi Landmark sites for Pandari Bhajans

Landmark sites for Pandari Bhajans - The Pandari Bhajans procession would pass through these public meeting places of Puttaparthi

Puttaparthi Landmark sites for Pandari Bhajans-1
Puttaparthi Landmark sites for Pandari Bhajans-2

Landmark sites for Pandari Bhajans - The Pandari Bhajans procession would pass through these public meeting places of Puttaparthi